Blue Microphones Yeti Pro

Desktop or studio the possibilities are endless
You can quickly select from each of Yeti Pro's four pattern settings stereo cardioid omnidirectional bidirectional by simply rotating the pattern selector knob. The chart below shows each pattern's symbol sound source direction and suggested recording applications. Stereo
The Stereo mode is great for capturing a realistic stereo image. To start point the microphone at the sound source that you want to record the "front" of the microphone is the side of the microphone with the Blue Microphones Logo. Depending on the instrument and/or sound that you want to achieve place the grill of the microphone anywhere from 2 inches to several feet in front of the sound source. By centering the sound source you will get equal amounts of signal in both the left and right channels. If you want a little more of the signal in the right channel move the sound source a little to the right side of the mic as if one is behind the microphone and if you want a little more of the signal in the left channel move the sound source to the left as if you are behind the microphone. Alternatively you can record everything as centered as possible and easily adjust the position when you're mixing the recording. If you want the sound in the right or left channel only you should try using the cardioid bidirectional or the omnidirectional setting and use your software to hardpan the sound to the left or the right. Cardioid
Cardioid is the most commonly used mode and can be useful in most any situation. If you are recording vocals a podcast or a voiceover cardioid is likely your best choice. When recording in cardioid sound directly in front of the microphone is picked up while the sound at the rear and sides of the microphone is not picked up. Therefore you will want to arrange the source directly in front of the microphone. Cardioid will deliver the most direct rich sound but will not offer as much airiness or presence as the other recording modes. Omnidirectional
Omnidirectional means that the microphone picks up sound equally from all directions. This setting is perfect for recording a group of musicians all playing at the same time recording a conversation between multiple parties around a room a conference call or any other situations where you want to capture the ambience of 'being there.' Because sound is picked up from all directions in this mode the orientation of the microphone isn't crucial but as a good rule of thumb start by orienting the front of the microphone at the primary sound source you wish to record. Bidirectional
Bidirectional means that the microphone picks up sound at the front and rear of the microphone while the sounds to the sides are "rejected" or not picked up. The bidirectional setting is very useful in achieving a nuanced pleasant sound when recording musical instruments and is perfect for recording an interview with two or more guests. By placing the microphone between two or more subjects front of microphone facing one source rear of microphone facing another you can achieve a natural sound without the complexity of using multiple microphones. Microphone and Performance
Power Required/Consumption: 5V 500mA USB/48V DC analog Sample Rate: 192 kHz Bit Rate: 24bit Capsules: 3 Blueproprietary 14mm condenser capsules Polar Patterns: Cardioid Bidirectional Omnidirectional Stereo Frequency Response: 20Hz ? 20kHz Sensitivity: 4.5mV/Pa 1 kHz Max SPL: 120dB THD: 0.5% 1kHz Headphone Amplifier
Impedance: >16 ohms Power Output RMS: 130 mW THD: 0.009% Frequency Response: 15 Hz ? 22 kHz Signal to Noise: 114dB Specifications
Dimensions extended in stand: 4.72"12cm x 4.92"12.5cm x 11.61"29.5cm Weight microphone: 1.2 lbs .55 kg Weight stand: 2.2 lbs 1 kg Cable: 12" YCable and 2M USB cable

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